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Illustrator continued

Application Integration

"Adobe has (finally) brought Illustrator into sync with their image-editing colossus .... Photoshop."

Don't falsely assume, however, that it's all new tricks for the old dog, here. A few brand-new features, including the ability to work in the RGB color model, have made their way into version 7.0. Also present are a couple of obvious nods to the World Wide Web's popularity; the ability to create image-maps, and a 216-color non-dithering swatch library. Another big feature in 7.0 is the Multiple Master palette, which lets you adjust the weight and width of (you guessed it) Adobe's Multiple Master typefaces. On-screen type now also anti-aliases, unless viewed at an extreme magnification. This means you can now read miniscule type from far off, instead of getting the 'greeking' (x-pattern) text of previous versions.

Speaking of type, Adobe has included 300 Type 1 Postscript Fonts on the disc, including some biggies like the insanely popular Tekton, in Multiple Master format, to boot. Another gift on the CD is the inclusion of the complete 3 volumes of Gallery Effects Photoshop plug-ins. You'll also find over 300mb of clip art and royalty free stock photography, and a Kudo image browser to view them as a catalog. The standard things are there, as well, like the Acrobat Reader, Illustrator tutorials, and product tryouts for other Adobe programs.

The Bad

The bad news is that Illustrator is still no Freehand, and it probably could have done more to bring itself up to par with CorelDraw for Windows, as well. For instance, the auto-trace tool is still bad; REAL bad. So bad, in fact that it makes you wonder why Adobe doesn't include their own excellent tracing utility, Streamline. Macromedia gives you xRes, Fontographer, and Extreme 3d for only a few dollars more than you'd pay for Freehand alone, and Freehand already has a great auto-tracer. Put that way, Streamline is more of a necessity than an application to be purchased on its own, and Adobe should have made it an optional package deal.

The interface, while improved, is still clunky in areas, such as the movement of the Pathfinder filters to the Object menu, which simply doesn't make sense, at least to me. They are still filters, and they should've stayed under the Filters menu, not moved to the same location as Arrange' and 'Cropmarks'.

Pathfinder

Additionally, selecting objects that are very close to one another such as 'shadowed' type is extremely difficult, requiring that you switch to Artwork view and zoom in to about 800% to select it, because unlike either FreeHand or CorelDraw there's still no way to select buried objects.

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